January 30, 2009

Cellar 56

Last night we tried the new Cellar 56. It's now on our list of personal favorites.

Chef Paul Agnelli, former Executive Chef of The Capital Grille and Van Gogh’s, heads up the kitchen of this tapas restaurant / wine bar. The food menu is organized into garden, land and sea categories. Small plates are priced $3-$5 and wines start at $3 for a half and $6 for a full glass. Here it is possible to enjoy upscale dining at low prices — if you can resist ordering more and more.

Bottom line: Great place for a charming, affordable, gourmet, adult night out.

Cellar 56 on Urbanspoon
Cellar 56 is located at 56 E Andrews Dr NW. For more information click here.

January 6, 2009

National Harbor: A First Impression

While walking through Seaside, a resort community in north Florida that provided the setting for The Truman Show, I wondered if the folks living there felt like they were trapped in a cartoon. With its too-quaint architecture, overtly planned neighborhoods and manicured streetscapes—where you can even spot folks pedaling old-fashioned bicycles—the place can’t shake that manufactured feeling. While it is clean and family-friendly, it just doesn’t feel authentic.

Authenticity would seem to be a challenge for any developer creating an entire community. How can a place with a master plan get injected with a personality that feels true? It’s a question I contemplate whenever visiting planned communities ever since that Seaside experience.

Walking around National Harbor (on the Potomac River in Maryland, near Washington D.C.) during a recent visit, I experienced déjà vu—it reminded me of Atlantic Station, which is a live-work-play community in Atlanta that officially opened October 20, 2005. Though states apart from one another and constructed by different developers, the two communities are both a city-within-a-city. Each offers residential living, office space, retail and entertainment outlets, restaurants, hotels and public parks. They even share some of the same venues, like Rosa Mexicano. (A good choice: Culinary Director Roberto Santibañez earned a James Beard award nomination for his restaurant cookbook Rosa’s New Mexican Table.) How these developments most differ is in the niche they fill in their broader communities: National Harbor boasts the largest hotel and convention center on the east coast, sure to attract visitors from around the world; Atlantic Station houses IKEA, H&M and other brand-name retailers not found elsewhere in Atlanta. Neither Atlantic Station nor National Harbor are perfect communities, but they both do some important things right.

For starters, they communicate a sense of place that seems to fit the region. If I’d been plopped down in the conference hallway at Gaylord National Resort & Convention Center as soon as my blindfold was whisked away I might have guessed that I was in Washington D.C. The red, white, blue and gold color scheme is a huge hint (and not as tacky as you might fear). The breathtaking view of the Potomac is a giveaway. But there’s also an energy permeating the place that suits the capital city: It’s a sense of determination, commitment and a little desperation not unlike what you might detect in a political candidate. It’s a completely different vibe than the one at Atlantic Station, which feels a bit like a debutante trying too hard to be hip.

They’re rooted in the present time and not some idealized vision of the past or the future. The architecture complements the surroundings. The atrium at Gaylord National frames its spectacular view without detracting from it. Atlantic Station extends the Atlanta skyline without competing with it.

Neither community is isolated. Visitors can take a shuttle from Atlantic Station to the MARTA Arts Center station, gaining train access to downtown, the airport and surrounding suburbs. The Potomac Riverboat Company offers water taxi service between National Harbor and Old Town Alexandria as well as Mount Vernon and Georgetown. Additionally, both communities host a range of events designed to invite the local community in. For example, National Harbor holds an American Market every Saturday through October from 9 a.m. to 2 p.m., helping support local farmers and artisans.

Many venues anchoring these communities have proven to be successful elsewhere. National Harbor has McCormick & Schmick’s Seafood Restaurant, Erwin Pearl, Harley-Davidson, Jos. A. Bank, The Westin and dozens of other businesses that are far from start-ups. The same is true at Atlantic Station, which houses Guess?, Ann Taylor, Pier 1 and much more. Independent retailers and restaurateurs will add unique flavors to the overall mix, but a base of well-known brands helps draw visitors.

Diverse offerings help attract crowds. Through August National Harbor is hosting a summer concert series on Friday nights from 7 to 9 p.m. with shows ranging from easy listening to classic rock and smooth jazz to country western. Atlantic Station hosts various events including art markets every Friday during the summer and annual shindigs like the High Museum Atlanta Wine Auction held every spring.

When the Atlantic Station project was announced and then built about eight miles from my condo, I wondered how often I might really go there. I’d lived so long without it; did Atlanta really need another shopping area? Turns out, I am frequently drawn to it for a variety of reasons, from going to the movie theater to dropping off my recycling. I suspect that, despite any initial misgivings or doubts, folks living in the Washington D.C. area will find National Harbor as easy to embrace.

January 5, 2009

Southern Wine: A Place At The Table

Think wine lists track the same trends as the food menus at most restaurants? Think again.

What wine would you choose to pair with a meal of Georgia trout, collard greens and sweet potato soufflé? Of course a good match enhances the flavors of both the food and the wine, and so considerations include flavor intensity and sweetness. Beyond that, perhaps you prefer white instead of red, maybe domestic over imported. But when pairing wines with Southern food, do you often consider Southern wines? If not, you’re not alone.

Glance at a restaurant’s wine list here in the southern United States and it’s unlikely you’ll find many, if any, wines produced in these parts. What’s surprising about that oversight is the fact that if there’s one overall trend in restaurants today, it’s an increasing focus on local, regional, seasonal ingredients. Local items are served at 87 percent of fine dining restaurants and 75 percent of family and casual dining restaurants, according to a study by the National Restaurant Association. And the majority of chefs included in the survey expect sales of locally sourced items to increase.

Of course, loyalty has its limits. No one wants to pair delicious cuisine with a beverage that tastes like saddle cleaner, even if the ingredients all come from the same town. Is the issue that quality wine grapes can’t grow in the hot, humid South? “It depends on what kind of wine grape,” says Jim Lapsley, adjunct associate professor in the viticulture and enology department at the University of California, Davis. “There are all sorts of species of grapes around the world.” Vitus vinifera, the traditional quality standard, grows well in areas with dry summers and slightly wet winters. “The problem with growing vinifera outside California has to do with climate,” says Lapsley. “These grapes don’t grow particularly well in areas with high humidity like in the South or with harsh winters like in the Midwest or the Northeast.” Other grape species can grow in those regions, such as vitus aestivalis, which includes Norton or Cynthiana, vitus labrusca, which includes Concord, and hybrids, which are made of crossed species. “These grapes don’t taste exactly like vinifera,” says Lapsley, “but they taste close and are more cold-hardy and mildew-resistant.”

Such grapes may grow best, but palatability is another issue. “People tend to find wines made of Muscadine overpowering, so their perception of wines from this part of the country is misunderstood,” says John Seago, president and winemaker of Pontchartrain Vineyards in Bush, Louisiana. But a farmer must work with the climate. “I’m in the epicenter of Pierce’s disease with no option of using vinifera or most hybrids,” says Seago. “The only known way to deal with Pierce’s disease is to grow resistant varieties. Californians went through phylloxera in the ‘70s and had to rip out vines and start over, which is terribly expensive.” Seago grows Norton and Blanc du Bois, a European-American cross that was created by the University of Florida. “I am able to produce a high quality wine,” he says, “but things evolve fairly slowly in the wine world. It takes time to get growing up to its potential—which is the case anywhere in the world. Then it’s not necessarily what you’re doing in the vineyard but what you’re doing in the winery that impacts quality. When you’re working with new varietals it takes winemaking time to evolve.” Why even try to grow grapes in regions like Louisiana, where challenges are so high? For Seago it’s a matter of local pride: The New Orleans native planted his vineyard 54 miles north of the French Quarter in 1991 and now produces 2,500 cases each year. “Louisiana has a strong history of contributing to the food scene,” he says, “and did have winegrowers in the late 19th Century before Prohibition. It’s time to re-grow local wines to compliment this region’s distinctive cuisine. I’ve seen a quantum leap in quality and enthusiasm about in growing wine in the South. Some folks in North Georgia, North Carolina and Virginia are growing absolutely spectacular wines, but you’ve got to search them out.”

Producers want it to be easy for consumers to find their wines, of course. Marketing their wines to regional restaurateurs who serve local produce is a strategy many southern vintners pursue. “I really appreciate chefs who serve local food,” says Mary Ann Hardman, who co-owns Persimmon Creek Vineyards in Rabun County, Georgia with her husband Sonny. “And I hope those foods they serve also include wine that is local, sustainable, yet quality. It is holistic symbiosis to have a locally raised grain-fed beef or Georgia wild shrimp served with a local wine. Why serve it with a wine from France, Italy or Australia if there is one grown locally that is quality and matches in the pairing? My wine marketing philosophy is, ‘What grows together goes together.’ Georgia wild shrimp with our Seyval Blanc or Georgia peach sorbet with our Late Harvest Riesling make excellent pairings.” Hardman has had success selling Persimmon Creek Wines to some high-end restaurants including Bacchanalia, Canoe and Nikolai’s Roof in Atlanta, Elizabeth’s on 37th in Savannah, Five and Ten in Athens, The Cloister on Sea Island and all three The Ritz-Carlton hotels in Georgia. But for every restaurant that does carry a local wine, dozens don’t.

Just because a restaurant stocks a local wine doesn’t mean its list is bursting with them. “We carry one wine from Georgia,” says Heath Porter, sommelier of The Cloister on Sea Island. “I don’t feel the others [I’ve tasted] are where we need them to be. Some are just really beginning. I’ve actually been looking for some stuff from Virginia because I’ve heard some great wines are coming out of that state.” But his current wine list features only the 2005 Seyval Blanc from Persimmon Creek Vineyards. Does he need to nudge customers into ordering that Georgia wine? “The attitude seems to be ‘all for one or not at all,’” he says. “We’re in Georgia, so some people’s reaction is ‘this is exactly the opportunity to try it’ while others say ‘you’ve got to be kidding.’ There is a little push there [to sell the Georgia wine to some diners], but it makes sense to me that we’re using fresh, local ingredients and it’s only appropriate to serve regional wines with it.”

The issue may be a lack of familiarity with regional wines. “I’m probably not as well versed as I should be nor have I inquired as much as I should,” says Chris Hastings, executive chef and co-owner of the Hot and Hot Fish Club in Birmingham, Alabama and 2007 James Beard Award “Best Chef in the South” nominee. “If there are great Southern wines out there—and I think they exist; I keep hearing about Georgia, Kentucky, Tennessee, Virginia and other places—I haven’t done that research to the extent I should. Quite frankly there’s an ocean of great wine out there. I’ve not tried those wines or been exposed to them. I just need to do it. It’s not that I ignore them or want to ignore them, it’s just that I don’t know.”

Though the South is dotted with “dry” counties where it’s impossible to buy wine or even order wine with your meal at a restaurant, “in 2006, 300 million bottles of wine were consumed in the U.S.,” says Michael Venezia, corporate director of education for United Distributors, Inc. “Georgia is the nation’s ninth largest wine market. In Atlanta alone more than 5 million wine bottles were sold.” Regional winemakers are eager to tap into the market. And with over 530 wineries and vineyards, the South is poised to become a winemaking region that will be increasingly difficult to ignore.

Bajan Cocktails

A recent trip to Barbados included a stop at Scarlet bar for mixology lessons. Here are two of the cocktails that I learned to make and photos that I took of my results:


Bajan Rum Punch
2 shots Mount Gay Eclipse Rum
4 wedges of lime
2 teaspoons raw or turbinado sugar
4 drops Angostura bitters
Grated nutmeg and lime wedge for garnish

Muddle lime and sugar. Add rum and shake with ice. Pour into rocks glass and top with bitters. Garnish and serve.


Bajanpolitan
1.5 shot Mount Gay Premium White Rum
0.5 shot blue curaçao
Juice of half a lemon
Juice of half a lime
1 shot water
0.5 shot Falernum
Lemon zest for garnish

Shake ingredients with ice and strain into a cocktail glass. Garnish and serve.

Recipes Courtesy of Scarlet bar and Mount Gay Rum

January 3, 2009

Four Winemakers

Whether traveling for business or pleasure, my trips usually include at least one stop at a winery, brewhouse or distillery. Call it a hobby or an obsession if you must, but I prefer to think of it as something more along the lines of true love. I simply adore the smell of barrels and the sight of them in orderly rows, the feeling of damp cellar air on my skin, the sound of corks popping in tasting rooms. Though we might be meeting for the first time, producers typically welcome me with open arms; so stopping in at a production house feels like a homecoming even if I’m in a foreign land. Here are just a few of the friendly folks I’ve recently met and some things they’ve taught me about making wine:

Terry Adams, Winemaker
Sonoma-Cutrer Vineyards


“We started as a farming operation. It’s the heart and soul of who we are,” says Winemaker Terry Adams of Sonoma-Cutrer Vineyards in California’s Russian River Valley. “The wines are all about representing what we do in the vineyard. Consistency from year to year comes from those vineyards and doesn’t come from what I do. I like to try and figure out what’s going on in that particular season and make the best of it. That’s my job.”

During harvest season as handpicked clusters of Chardonnay and Pinot Noir grapes are delivered from the vineyard to the winery, one way that Adams ‘makes the best’ of the fruit is by controlling its temperature. “Over the years I’ve heard rumors of cooling tunnels being used in Italy,” he says, “but I still think we’re the only ones using cooling tunnels.” At Sonoma-Cutrer, fruit is unloaded from trucks in 18-inch-deep bins that are weighed, sorted and then routed through a cooling tunnel. “It’s not complicated,” he says of the tunnel technology that consists of an old mining chain and a hydraulic motor to advance the fruit through. Adams says, “In 15 minutes I can take 25 degrees Fahrenheit out of the fruit.” Why bother? “We decided to press whole clusters and crushing cool fruit gives you finer tannins,” he says. “We really want the tannins from the skin, not from the seeds. The warmer the fruit the more extractive the juices are on the stems and seeds. We want good concentration and decent tannins, but we don’t want harsh or bitter tannins.”

Joe Will, Winemaker
Strewn Vineyards


“We have found with care that we can grow vinifera grapes,” says Winemaker Joe Will of Strewn Vineyards in Niagara-on-the-Lake, Ontario, Canada. “But we do have problems with very cold winters.” His solution is wind machines. “Without wind we get stratification,” says Will. “The coldest air settles on the ground” and layers of air settle on top of one another in slightly increasing degrees. Pushing warmer air down to the vines helps prevent freezing and helps save crops—at least until a freeze is intentionally allowed to settle, once the grapes are ripe in order to make icewine.

Helping grapes reach maturity on the vine is only one of winemaking’s many challenges. Another is aging the juice. “Coopers say that a barrel biggest flavor component is toasting method,” says Will. Other contributing factors include type of wood and nature of the grain.

Martin Moore, Cellar Master
Durbanville Hills

“It’s the breeze that makes the wine,” says Cellar Master Martin Moore of Durbanville Hills in Durbanville, South Africa. In this region of the world, the value of the wind is that it chases away heat that might otherwise settle onto the vines and ruin the fruit.

Of the South African style of winemaking, Moore says, “We are not New World and we are not Old World. We are right in the middle.” In his view, Australian wines can be “over-the-top” with fruit flavor while European wines can be “quite austere.” He strives for the happy medium. “The thing that’s always been in my mind is balance. With ‘fruit bombs’ I can have one glass but can’t have another. We’re not in the perfume business, so we want balance of fruit and sophistication.”In today’s marketplace, a winemaker needs a clear understanding of the customer. Moore aims for “a global palate,” an objective that especially makes sense given that South African cuisine is a fusion of the cuisines found across the African continent with French, Indian, Portuguese, Dutch, German and Malaysian influences. “If South Africans like it, it will probably be successful elsewhere,” he says of his export potential. “I’m proud of my wines and I believe people want to sit down and spend time with them.”

David Harris, Winemaker
Blackstock Vineyards and Winery

“We ought to celebrate Georgia’s regional character,” says David Harris, winemaker and owner of Blackstock Vineyards and Winery in Dahlonega. “Our wines won’t and shouldn’t taste like French or Californian wine and that’s what’s so interesting about tasting. We have a different regional flavor.”

The flavor imparted by the Lumpkin County soil—what the French would call terroir—is “most succinctly expressed in Merlot,” says Harris, adding that the complex taste combines earth and mineral notes.

Harris planted his southern U.S. vineyards in 1997. “The growing conditions here are distinctive and set this region apart,” he says. “One of the magical things about our area is the red clay, which is like the terra rossa in Italy’s Piedmont region. Plus at this elevation there’s great airflow, less humidity. Steep slopes help turnover cooler air. We get high intensity rain in short duration; runoff helps the vines dry. Dahlonega definitely has something special; it shows in the fruit.”

Still, as a winemaker he makes decisions that determine the flavor of what ends up in the bottle. “The day you pick is the most important day for that wine,” says Harris. “All the flavor you will get is there. You can’t add essence.” Choosing that perfect day is just one challenge of harvest season.

January 2, 2009

This Beginning Is Really The Middle

This is the first post of a new blog and so it is the beginning...and yet it feels more like the middle to me.

I'm a professional writer; my work is routinely in print. Still, people who know me often say, "You should start a blog." It's flattering that these people would like to read more of my work. But to this suggestion I have typically scoffed in protest: "I don't want to give my work away for free!" But here's the thing: I always have more to say than space to say it in. Magazines and newspapers only have so many pages and, these days especially, editors only have so much money. So I start this blog to give myself more room for extra bits that don't seem to fit anywhere else. (If it leads to some sort of payday, all the better.)

I write about travel, food, wine and spirits. I travel extensively, serve as a judge at various food and wine competitions, review restaurants for several magazines and newspapers and routinely meet chefs, winemakers, distillers, restaurateurs, sommeliers, hoteliers and other celebrated experts.

This blog is an extension of my work, which has been in progress for a few years now. Still, I've still got a long way to go before I feel like I've really "made it." In that sense this blog is a beginning because you can help by subscribing and inviting others to join, too. Thanks!